Courting Blakness: Recalibrating Knowledge in the Sandstone University Publisher / Editions 3 leaving the legitimacy of the

leaving the legitimacy of the artworks in limbo

Sebastian Smee explores Fred Williams’s ‘Australian landscape’ series of the 1960s and 1970s

Colonialism has been a struggle over archives and its processes as much as anything else

So Far: The Art of Dale Frank 1980-2005 traces a trajectory in the work of Australian artist Dale Frank

some paint and paper

Courting Blakness: Recalibrating Knowledge in the Sandstone University Publisher / Editions 3 leaving the legitimacy of theCourting Blakness is beautiful and unique record of a bold and unprecedented art exhibition in the University of Queenslands Great Court curated by internationally acclaimed artist, Fiona Foley, in September, 2014. For three weeks, Karla Dickens, Archie Moore, Ryan Presley, Natalie Harkin, Megan Cope, r e a, Michael Cook and Christian Thompson reclaimed this historically white space, creating a visual dialogue between contemporary Aboriginal art and