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Puar argues that configurations of sexuality
to a large-scale installation of embellished megaphones and gas masks
The next thoroughly documents the work on display split by realm
meticulously hand-painted
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The Divine Comedy: Heaven, Purgatory and Hell Revisited by Contemporary African Artists Sterling Puar argues that configurations ofEdited by Simon Njami, with contributions by Mara Ambroi, Zdenka Badovinac, Roberto Casati, Johannes Hoff, Achille Mbembe, and Pep Subirs The catalogue to a highly unusual 2014 group show staged by Simon Njami at the Museum fr Moderne Kunst, The Divine Comedy features sixty African artists from twenty two countries using Dantes poem as a contemplative framework for works addressing migration, transnational identity, and the construction of the Other
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